There are some pretty interesting photos from an experimental bridal session at a horse farm over at fearlessbridals.com…


February 10, 2010There are some pretty interesting photos from an experimental bridal session at a horse farm over at fearlessbridals.com…


November 25, 2009
November 22, 2009

A couple of photos from our analog photo shoot today in Princeton, MA. The shoot was mostly film using holgas and my lomo fisheye camera, so it’s going to be a couple of weeks before we get to see the others.
November 5, 2009Remember Jenny, whose Pennsylvania got rained out in September? Well, we did some bridals at Larz Anderson Park in Brookline at the peak of the fall foliage. This combines two of my favorite things in the world – interesting woman in a pretty dress, and autumn color.
August 24, 2009Every time I look at the photos from our bridal session following their wedding and reception, I keep thinking OMYGOSHTHEY’RESOBEAUTIFUL and it’s because Eileen and Wouter are blissfully happy to be together. Their joy really overflows. It was an absolute privilege to photograph for them and I am so glad they decided to invest in the photography aspect of their day, and also happy that they gave me lots of delicious time to do bridal portraits.


The “blue” images are from our stop at the WGBH building in Watertown. Ashley almost-Pizzuti and I scouted the area the day before the wedding on our way to the fancy Boston Magazine Weddings Issue launch party (I felt awkward at the party if you really want to know) and decided that would be a good place for photos. Oh boy, it sure was. Thanks to the accommodating communications director at ‘GBH who saw us shooting and rather than kicking us out like so many other establishments are wont to do, instead invited us to share photos for their membership to enjoy. How cool are you WGBH? You earned my lifelong support with that smooth move.
We went to one final location to get some fun photos at the end of our time together. These are from the “colosseum” that is the Harvard Stadium in Cambridge. I have driven past that place several times before, and even marked it into my GPS as a prime place for a bridal shoot… and here it is.

[ more photos! ]
June 16, 2009I’ve got too many tabs held open in firefox, so I thought I’d share some of the interesting things I have found in the past week of browsing online, and also a little of what’s going on in my life.

PERSONAL, health-related.
June 15, 2009
I am ridiculously inaccurate when I try to describe time in years off the cuff… but great at remembering things in relation to other influences in my life. Today, minus five years, is the time when a mommy-blogger-with-a-camera influenced a decision that would in turn influence the direction of my career.
I was talking with some other photographers recently about people who inspire us. I asked them to give me the name of one person who has influenced them the most lately, and Tomme mentioned that the work of Tanja Lippert is the reason she switched from Canon to Nikon equipment.
Her statement took me instantly back to the time when I was finishing up grad school in Pasadena, California and made a somewhat spontaneous decision to upgrade my camera. At the time I was shooting obsessively and acting like a professional with one of those fujifilm point and shoot cameras that makes you think you have a “real camera” but really isn’t that great (for laughs, see: my first “photo shoot” march 2002!). I was researching a good starter camera and had decided on the Canon Rebel. The day before I was going out to make my big purchase, I read a post by one of my favorite bloggers, dooce, who had just gotten her first DSLR. Dooce is hilarious and descriptive which, scarily, made me trust her judgment, so without reading much more than her blog post about the camera [link] and a quick price comparison, I decided on the Nikon D70. Dooce and I purchased our cameras within days of one another, and have both come a LONG way with photography and life since June 2004, and it makes me laugh to think that she had so much influence over the first major decision in what became my full-time photography career.
When friends and acquaintances are shopping for cameras, they often ask which cameras I’d recommend. I’m still a big fan of the Nikon D90 (the love child of the D70 and D80) but also appreciate the compact size and indie feel of my husband’s Ricoh point and shoot.
Thinking back to my Dooce-induced purchase exactly five years ago makes me nostalgic. I shot my first event with the camera about two weeks later… a July 4 wedding in Malibu. This past April I was back in LA for a real wedding booking, and Ali and I drove past the site from that first wedding, where Sunset Blvd hits the ocean, and I was thankful for all of the people who have come into my life since that time.
April 30, 2009
Studio work is a love-hate relationship for me. Until this year, my photography career has flourished completely on-location which means I have a lot less control over the environment. Weddings are unpredictable situations that force you to find the light. Family portraits are charming when taken in the family’s home, but you have to find the most photogenic corners of a clutterful American household. Engagement sessions and headshots are fun and lighthearted when you take to the streets… but what happens when it rains?
My concerns for studio work is that it will be boring for me, or look boring for the viewer. I’m a tiny bit afraid that the work will start to look dated in a few years as styles and fashions change (a la ‘sexy people‘). But then I think… won’t standing in random places and railroad tracks look dated in a few years, anyway?
I’m discovering that the studio is stretching me to try new things, to experiment with lighting, and to challenge myself to focus on expression and body language more than environment. It provides me with a stable location to have meetings and prep for shoots, while extending the time I am able to accommodate people whose work schedules wipe out almost all reasonable daylight hours.
I’m in the process of transitioning to a different kind of work year. I’m no longer accepting mainland US wedding commissions after 2009 and will be offering more portrait-focused sessions in the upcoming months. I’ve discovered that wedding-related portrait sessions (boudoir, fearless bridals, and engagement sessions) give me the space to shoot artfully and produce images that I love the most. I hope to spend time collaborating with wedding industry professionals without the secret agenda of trying to gain referrals… I just want to shoot well and do work I love!
Anyway, I’ve been working hard on getting the images from our recent collaborative studio bridal sessions online. Head on over to fearlessbridals.com to view the pretty photos and meet some really talented hair and makeup stylists, a floral designer, and see some very interested short wedding dresses (one is partially made of chain mail!).
behind the scenes – the stylists!
Please feel free to leave comments over there…!
April 8, 2009
source: brides.com
We’re still looking for one more bride with a cute SHORT white/ivory wedding dress for a special photo shoot on the afternoon of April 15 at our studio in Lowell MA. If that’s you or someone you know, please email me at rachel@mergeweddings.com.
I’ve not yet really gotten to photograph a bride in a short (white) dress, so I am really excited about this shoot. I’m working with an amazingly creative floral designer and peonies (which are in season) and I’ve scored some vintage accessories to use on the shoot.
We’re also seeking creative hair, makeup, and jewelry design artists to help with the shoot. My inspiration for the shoot is REAL SIMPLE meets Anthropologie.
ETA: wowsers – just found a shoot collaboration photographed by Stephanie Williams that does what I would want to do from the shoot (but in a different environent). Check this out!
March 25, 2009
More to come soon, over at fearlessbridals.com.
Beautiful images from our bridal shoot at Sakonnet Vineyard in Rhode Island.